The latter is a faster-paced, more straightforward song with a more danceable feel. The former is a great piece of jangly, distorted electro-pop with a chorus of haunting falsetto vocals. 'Worsening' and 'Miasma Sky' are the first two tracks, and they're absolutely great. It's a shame, however, that the album in its entirety just doesn't remain interesting enough. His introspective professions and longings are to be noted, as they show great maturity and talent. What space is left empty by the music is filled with deeply personal lyricism, on which Wiesenfeld holds nothing back. Now, the lyrics are more confessional and the instrumentation is more barren than before. Review Summary: Confessional songwriting and stark instrumentation inspired by the realization that we'll all die somedayīaths is the moniker of American electronic musician Will Wiesenfeld, who rose to decent fame with his strange, light brand of experimental electronica in 2010 on his debut "Cerulean." Two years later, he's back with "Obsidian," an album which takes a much darker approach to the whimsical pop music that helped make him popular.
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